God Can Heal

Death leaves a heartache only God could heal, love leaves a memory no one can steal.  

In Loving Memory - Esperanza Salgado

A Woman of Excellence

We lost a special Woman

who brought honor to her Lord.

A woman of true excellence,

admiration and so much more.

She surely made a difference

to everyone she knew.

Sharing what was in her heart -

lovingly, passionately, so true.

She always had a kind word

which brought an instant smile.

She touched so many people

even through her pain and trials.

Rise up, come forth and fly

You have been set free.

No more pain, nor suffering,

in the presence of God Almighty!

She’s with the Lord in Heaven

in that sweet by and by…

Singing, dancing, rejoicing

far beyond the sky!

Sister Cecille & Sister Esperanza now together - friends forever.

Rejoicing Dancing Singing

In Loving Memory... Erma Cecilia Lopez

I lost a special someone
who was very dear to me.
Her sweet and loving nature
was somthing great to see.
She always had a kind word
which brought an instant smile.
She touched so many people
even through her many trials.
She's with the Lord in Heaven
In that sweet by and by...
Rejoicing, Dancing, Singing,
way up in the sky!

Tell my Momma I love and miss her~
June

Poetry Genre - Grieving with Hope

"Growth Avenue" New works by Evah Hart. 2009

About the portrait: Hart offers a disquieting, ambiguous and often disconsolate journey into the intimate life of her large Midwestern family. Her multi-year photographic study turns a watchful eye on their prosaic domestic rituals as well as their vertiginous experience of grief, loss and death. As she documents her brother’s terminal illness, Hart’s tense, pressurized detachment bears the psychic weight of great longing and nostalgia. This elegiac portrait convey an eerie excavation - and memorialization - of the awkwardly permanent transience of family.

http://studio-online.com/so/?p=3590

Introduction: At some point in our lives, someone we love will die.
"It hurts to lose anyone who has a special place in your heart." - Amy Mumford.
In my experience in dealing with family members who have lost a loved one, I have come to find that everyone responds to grief and will cope in different ways. Some might react in confusion and want to know "Why." Others will cry, weep and even wail. Some will want to talk a lot yet others will close up. Nonetheless, we will all go through the grieving process, which will help cope with the loss. My recommendation is first and foremost to reach out to someone. Allow time for tears and laughter with past memories.
Memory is a way of holding onto the things you love, the things you are, the things you never want to lose. ~From the television show The Wonder Years.
Most importantly, take some time for yourself in meditation - you should not try to handle it on your own.

My desire in designing this anthology is that you will find hope and encouragement while reading the poem selections. I realize that the death of a loved one changes us in ways we never anticipated. Whether it was a tragic, senseless or just a natural death, it still shakes the center of our heart. Is there even such a thing as closure when experiencing a death? I'm really not sure but hopefully, with the passage of time, the feelings of loss and grief will diminish. My idea is to reach out to the young and old experiencing bereavement.

Organization: This anthology is all about works in progress and if read in it's entirety, you get the whole meaning and purpose. I have covered a wide variety of poetry in prior postings for the purpose of creating a peaceful and calm mood in the reader. I also had in mind not only to reach those who are experiencing grief but to bring remembrance to those loved ones who shall never be forgotten. For example in, "In Flaunders Fields" it reaches out to anyone touched by the death of someone who lost their life in war. A must see is the YouTube posting (below) of "In Flaunders Fields" read by Linus from Peanuts. This is a beautiful and touching way of illustrating the poem!

The period of time for this anthology varies from early 1900's to present modern day time. I have included a little introduction to each poem and its meaning. This will help the reader understand why the poem was written. Each poem was carefully selected not only for the intention of bringing inspiration but to also reach a variety of people who have experienced different circumstances surrounding death, grief and loss.

Finally, I have included water color images which is a passion of mine. These images come from a variety of artists and portray a vision in the readers mind to try and speak about the poem.

Thank you for giving of your time to read this anthology about death, grief, loss and hope! I have truly put my heart into this and hope it will inspire you to share a bit of your favorite poetry with others.

Additional Poem Selection:

The following is a moving and heart-felt poem in honor of anyone effected by someone who lost their life in war.

About the poem: The Great War 1914 - 1918
In remembrance of the deaths of thousands of young men who died in Flanders during the difficult battles there.







In Flanders Fields
By: Lieutenant Colonel John McCrae, MD (1872-1918)
Canadian Army

In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Canadian poet John McCrae was a medical officer in both the Boer War and World War I. A year into the latter war he published in Punch magazine, on December 8, 1915, the sole work by which he would be remembered. This poem commemorates the deaths of thousands of young men who died in Flanders during the grueling battles there. It created a great sensation, and was used widely as a recruiting tool, inspiring other young men to join the Army. Legend has it that he was inspired by seeing the blood-red poppies blooming in the fields where many friends had died. In 1918 McCrae died at the age of 46, in the way most men died during that war, not from a bullet or bomb, but from disease: pneumonia, in his case.

http://www.greatwar.co.uk/poems/john-mccrae-in-flanders-fields.htm

The following is In Flaunders Fields - Read by Linus from Peanuts


This is a link to the poem


For Whom the Bell Tolls
(No man is an island)


by John Donne


About the poem: There's some debate about what precisely was meant; some view it simply that Donne was pointing out people's mortality and that when a funeral bell was heard it was a reminder that we are nearer death each day, i.e. the bell is tolling for us. Others view it more mystically and argue that Donne is saying we are all one and that, when one dies, we all die a little. This isn't as bleak as it might sound, as the counterpoint would be that there is some part of the living in the dead and that we continue a form of life after death.

No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.

If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manner of thine own
Or of thine friend's were.
Each man's death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.

These famous words by John Donne were not originally written as a poem - the passage is taken from the 1624 Meditation 17, from Devotions Upon Emergent Occasions and is prose. The words of the original passage are as follows:

John Donne
Meditation 17
Devotions upon Emergent Occasions

"No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were. Any man's death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee..."

http://www.poetry-online.org/donne_for_whom_the_bell_tolls.htm

Poetry Trends

Theme: Grief and Loss

The poems about grief and loss that I have been reading are poems of sentiment and meaning. I have tried to select poetry that touches lives in some way or another. For example, "Do Not Go Gentle Into That Good Night" was written for a dying father, and "For My Mother" reminded me of my own mother's death and how she slept so motionless on her bed. I often wonder if she ever heard the words we spoke to her as hours went by "with each deliberate breath" she took. "Four Years" is about a wife who lost her husband. As hard as I tried not to picture myself in her shoes, I did and of course I got all choked up.

Much of the style is that of a natural sense. It is heartfelt poetry with a variety of famous and not-so-famous writers. The period of time varies from the early 1900's all the way to present modern day time. I once read that "Poetic talent is like the flowing river. And all rivers are natural." (Usman Y. Mobin) This is exactly what I had in mind when searching for poems related to this anthology. I wanted each verse to represent a product of good structure, pattern and style. Since there is such a wide variety on the subject of death, mourning, grief, and loss, I found it hard to stick to a particular style. I wanted to include some of the very old famous pieces as well as some of the modern work. All in all, I feel like the poems all flowed smoothly together, and will touch the heart of the reader. They are all similar in a way that communicates the purpose and theme that I have chosen. My idea is to create a peaceful and calm mood in the reader.

Images that come to mind when reading poems on grief and loss are those of serene and soft scenery. Since watercolor paintings are one of my passions, I chose images to portray the words and meaning of the poems. For example in "While Waiting for Thee" it talks about a date with a butterfly and so I posted a yellow butterfly which also has a special meaning to me. In "Do Not Go Gentle into That Good Night" I posted a water color portrait of Dylan Thomas's(author)boathouse. Soothing background music also would add a special touch as the poems are read.

Because of the faith of so many people, I felt it was necessary to touch on faith and healing. For this reason, I chose the world-wide famous poem, "Footprints in the Sand." For many years, handwritten copies of the poem were distributed by Mary Stevenson, to those who needed something to give them comfort, at a low point in their lives. The beautiful story can be found on the site below. You can hear the sound of the ocean on the next site below.

Source - http://www.footprints-inthe-sand.com/

Background - http://www.footprints-inthe-sand.com/index.php?page=Poem/Poem.php

I hope the selection of these poems will bring hope and encouragement to the family, friends and those who have lost a loved one.



















One night I dreamed I was walking along the beach with the Lord.
Many scenes from my life flashed across the sky.
In each scene I noticed footprints in the sand.
Sometimes there were two sets of footprints,
other times there were one set of footprints.

This bothered me because I noticed
that during the low periods of my life,
when I was suffering from
anguish, sorrow or defeat,
I could see only one set of footprints.

So I said to the Lord,
"You promised me Lord,
that if I followed you,
you would walk with me always.
But I have noticed that during
the most trying periods of my life
there have only been one
set of footprints in the sand.
Why, when I needed you most,
you have not been there for me?"

The Lord replied,
"The times when you have
seen only one set of footprints,
is when I carried you."
Mary Stevenson

http://www.footprints-inthe-sand.com/index.php?page=Poem/Poem.php


Do Not Go Gentle Into That Good Night

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on that sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Dylan Thomas

"Do Not Go Gentle into That Good Night," a villanelle composed in 1951, is considered to be among the finest works by Welsh poet Dylan Thomas (1914–1953). Originally published in the journal Botteghe Oscure in 1952, it also appeared as part of the collection In Country Sleep. Written for his dying father, it is one of Thomas's most-quoted works. Wikipedia.org

http://www.poemhunter.com/poem/do-not-go-gentle-into-that-good-night/

http://www.youtube.com/watch?v=NlvAW2RIvXo


For My Mother

When does the soul leave the body?
Since early morning you have not moved -
only your head moves, thrown back
with each deliberate breath,
the one sound that matters in the room.
My brother is here, my sister,
two of your sisters, ripples
widening from the bed.
The nurses check and measure,
keeping the many records.

Are you afraid?
Are you dreaming of what is past, lost,
or is this sleep some other preparation?
My sister has put your rings
on my finger; it seems like your hand
stroking the white brow,
unable to release you,
not even after you have asked for death -

And we know nothing about such pain,
except that it has weaned you from us,
and from the reedy, rusted
sunflowers outside the window,
dropping over the snow like tongueless bells.

Ellen Bryant Voigt
Staying Alive: Real Poems for Unreal Times (2002), ed. Neil Astley


Four years

The smell of him went soon
from all his shirts.
I sent them for jumble,
and the sweaters and suits.
The shoes
held more of him; he was printed
into his shoes. I did not burn
or throw or give them away.
Time has denatured them now.

Nothing left.
There will never be
a hair of his in a comb.
But I want to believe
that in the shifting housedust
minute presences still drift:
an eyelash,
a hard crescent cut from a fingernail,
that sometimes
between the folds of a curtain
or the covers of a book
I touch
a flake of his skin.

--Pamela Johnson Gillilan (1918-2001)
Staying Alive: Real Poems for Unreal Times (2002), ed. Neil Astley


While Waiting for Thee

Don't weep at my grave,
For I am not there,
I've a date with a butterfly
To dance in the air.
I'll be singing in the sunshine,
Wild and free,
Playing tag with the wind,
While I'm waiting for thee.
The Comfort and Sweetness of Peace
After the clouds, the sunshine,
after the winter, the spring,
after the shower, the rainbow,
for life is a changeable thing.
After the night, the morning,
bidding all darkness cease,
after life's cares and sorrows,
the comfort and sweetness of peace.
Helen Steiner Rice

http://www.elegantmemorials.com

Anthology Plan

Theme: Grief and Loss

Why I Chose this Theme:

Some things in life we simply do not understand and death is one of them. It touches the lives of every single person whether it is a friend, family member or others. It is an event we all fear and dread but have to face sooner or later. Along with the death of a loved one comes grief which is a common human experience. Grief is a normal and natural way for people to cope with loss.

On June 15th, 2005, I had to say "Goodbye" to my Mother as she took her last breath of life. After two years of pain and suffering, she finally was set free and all I could do was weep. People need comfort and encouragement following such a sad time of loss. Emotions that come to mind while experiencing bereavement are - deep sorrow, sadness, grief, pain & suffering, depression, fear and yes, even anger. My desire is to provide support and comfort to those mourning the death of a loved one through poetry.

My Goals for this Anthology:

Poetry has a way of getting straight to the heart. It opens up feelings of reflection, remembrance and brings inspiration to the soul! This blog is all about bringing hope and designed to give encouragement as one goes through the stages of grief. The five stages one could experience is: denial, anger, understanding, depression, and acceptance. Everyone in the family is affected and it differs in their ways of coping but all I want to say is, "There is hope!"

If I could give this a title, it would be - "Grieving With Hope." I once wrote a poem for a newly married couple who lost their tiny little baby boy who was stillborn. At the funeral, next to the tiniest little coffin I had ever seen, I recited the poem. To this day, the couple lets me know that this poem brought such comfort to them! I'll never forget that I was used as an inspiration to ease someones grief at a very heartbreaking time in their lives.

Words of sympathy are often not enough when one needs heartfelt healing. This is my goal in life - to make a difference in any way I can. I hope everyone will find comfort as I share these poems. Thank you and God bless you!

Five Poems of Death, Grief and Loss

It Hurts to Lose... a Special Person
By Amy Ross Mumford

When death takes your special person,
It hurts.
It hurts in the middle of the day,
In the middle of the night
And in the middle of your stomach.

It hurts to lose anyone who has a
special place in your heart.

At first it isn't real.
It's just a nightmare.
Everything will be all right in the morning.

But of course, it isn't.

Morning brings reality,
Mercifully dulled by shock
And a feeling of numbness.

Like a robot you move mechanically through
the seconds,
the minutes,
the hours of the next few days.

Oh, God, how can I endure
this un-welcome,
this un-acceptable,
this un-movable crisis in my life?

There is a way that you can.

When death takes your special person,
Reach out.
Reach out and share the tears,
The sorrow of others.

Others who also hurt.

You'll be less alone in your sorrow if you
reach out in comfort and understanding to
someone else.

Let the spotlight of grief draw you,
your family and friends together
In the circle of its light.

Check out the poem in it's entirety on the link below:

http://books.google.com/books?id=DWtwfXtoEBsC&lpg=PP1&ots=L2Z0wbwB-y&dq=it%20hurts%20to%20lose%20a%20special%20person&pg=PP1#v=onepage&q&f=false

Do Not Stand at my Grave and Weep
Mary Frye
I Did Not Die

Do not stand at my grave and forever weep.
I am not there; I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.

I am the gentle autumn’s rain.
When you awaken in the morning’s hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and forever cry.
I am not there. I did not die.

Note on Authorship of poem

Written at least 50 years ago, this poem has been attributed at different times to J.T. Wiggins (an English emigre to America), and also Mary E. Fry, Melinda Sue Pacho and Marianne Reinhardt.

It also became very famous after a British soldier, Stephen Cummins, was killed in Northern Ireland and left eft a copy for his relatives. Others claim it is a Navajo burial prayer. with an anonymous

The most widely circulated author is Mary Fry.

The following was taken from The London Magazine December / January 2005:

Mary Elizabeth Frye nee Clark was born in Dayton, Ohio, on November 13th 1905. She dies on September 15th 2004. Mary Frye, who was living in Baltimore at the time, wrote the poem in 1932. She had never written any poetry, but the plight of a German Jewish girl, Margaret Schwarzkopf,who was staying with her and her husband, inspired the poem. She wrote it down on a brown paper shopping bag.
Margaret Schwarzkopf had been worrying about her mother, who was ill in Germany. The rise of Anti-Semitism had made it unwise for her to join her mother. When her mother died, she told Mary Frye she had not had the chance to stand by her mother's grave and weep.
Mary Frye circulated the poem privately. Because she never published or copyrighted it, there is no definitive version. She wrote other poems, but this, her first, endured. Her obituary in The Times made it clear that she was the undisputed author this famous poem, which has been recited at funerals and on other appropriate occasions around the world for seventy years.

A 1996 Bookworm poll named it the Nation's Favourite Poem"[London Magazine Editor, Sebastian Barker

http://www.poetseers.org/poem_of_the_day_archive/twoth/do_not_stand_at_my_grave_and_weep/

The Dying Child
BY JOHN CLARE

He could not die when trees were green,
For he loved the time too well.
His little hands, when flowers were seen,
Were held for the bluebell,
As he was carried o'er the green.

His eye glanced at the white-nosed bee;
He knew those children of the spring:
When he was well and on the lea
He held one in his hands to sing,
Which filled his heart with glee.

Infants, the children of the spring!
How can an infant die

When butterflies are on the wing,
Green grass, and such a sky?
How can they die at spring?

He held his hands for daisies white,
And then for violets blue,
And took them all to bed at night
That in the green fields grew,
As childhood's sweet delight.

And then he shut his little eyes,
And flowers would notice not;
Birds' nests and eggs caused no surprise,
He now no blossoms got;
They met with plaintive sighs.

When winter came and blasts did sigh,
And bare were plain and tree,
As he for ease in bed did lie
His soul seemed with the free,
He died so quietly.

John Clare (1793-1864)

http://www.poetseers.org/poem_of_the_day_archive/twoth/do_not_stand_at_my_grave_and_weep/

A Daughter of Eve
BY CHRISTINA ROSSETTI
A fool I was to sleep at noon,
And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
A fool to snap my lily.

My garden-plot I have not kept;
Faded and all-forsaken,
I weep as I have never wept:
Oh it was summer when I slept,
It's winter now I waken.

Talk what you please of future spring
And sun-warm'd sweet to-morrow:—
Stripp'd bare of hope and everything,
No more to laugh, no more to sing,
I sit alone with sorrow.

Christina Rossetti (1830-1894)

http://www.poetryfoundation.org/archive/poem.html?id=174259

A Thing of Beauty
By: John Keats

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.

Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast
That, whether there be shine or gloom o'ercast,
They always must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own valleys: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimmed and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end!
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

http://www.poetseers.org/short_poem/the_romantics/john_keats/the_poetry_of_john_keats/a_thing_of_beauty/